Category Archives: Black Fiction

October 11, 2010

Fresh & Onlys – “Playing it Strange” – In The Red Records [Album Review/Daily MP3 #127]

My review of The Fresh & Onlys‘ Playing it Strange, on In The Red Records Fresh & Onlys – “Peacock & Wing” MP3/download [from the "Bomb Wombs" cassette] Feeling like I’d dropped the giant, ball-&-chain-sized millstone that was my recent … Continue reading →

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Filed under Black Fiction, Cohen, Tim, Fresh and Onlys, The, In the Red Records

Tagged as "peacock & wing" mp3/download, "playing it strange" cd lp, Black Fiction, Fresh & Onlys, In the Red Records, Tim Cohen

May 20, 2010

“I’m Gonna Be Your Elevator,” “(Clowns) Took My Baby Away” and “Delusion of Man” from The Fresh and Onlys + Black Fiction [Daily MP3 #70]

Fresh & Onlys – “I’m Gonna Be Your Elevator” MP3 Fresh & Onlys – “(Clowns) Took My Baby Away” MP3 Fresh & Onlys – “Delusion of Man” MP3 Fresh & Onlys – “Hated or Loved” MP3 Fresh & Onlys – … Continue reading →

Various artists – “* In a Cloud” compilation – Secret Seven Records [Album Review/Daily MP3 #45]

The Sandwitches – “Grey Wizard” MP3/download Hannah & Raven (of Grass Widow) – “Beehive” MP3/download I just found a post on this album that was kinda funny. Hilarious, actually. The post consisted of a tracklisting for * In a … Continue reading →

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Filed under Black Fiction, Butters Jacques, Cohen, Tim, Dwyer, John, Fresh and Onlys, The, Sandwitches, Thee Oh Sees, Ty Segall

Tagged as "* In a Cloud" compilation, daily mp3, Donovan Quinn & The 13th Month, Dylan Shearer, Exray's, Fresh & Onlys, Hannah & Raven, Jacques Butters, Kelley Stoltz, Paula Frazer, San Francisco indie-rock, Secret Seven Records, Sonny & The Sunsets, The Sandwitches, Thee Oh Sees, Tim Cohen of Black Fiction, Trainwreck Riders, Ty Segall, Various Artists

October 13, 2009

Fresh & Onlys, The – “Bomb Wombs” – Fuck It Tapes (Edition #72/200) [Cassette Tape Review]

I’ve absolutely loved everything I’ve heard from The Fresh & Onlys so far. I find their songwriting, punk acumen and even their demeanor onstage to be perfect for their time and place, their era of indie garage-rock. How Tim Cohen … Continue reading →